Ad Noiseam t-shirt week, day 2 of 4: we keep on making new shirts available today. After the Underhill ones yesterday, it is Enduser who is getting some fresh apparel with the re-print of the classic "I Eat Beats For Breakfast" tees.
These shirts had long been discontinued and were just re-printed. This time around, the design is printed on red on black fabric, and it's all (as has been the case for some years now) on fair-trade, organic cotton.
This new "Prspct xl17 pdcst", vowel-challenged mix by Gore Tech is somewhat more hardcore oriented than his previous ones, something which you can listen to here or below. Enjoy, attend this event if you are around, and don't miss Gore Tech, either on record or live.
It was on April 18t 2001 that the first ever release on Ad Noiseam (the "Krach Test" compilation) was released. Quite a lot has been done, released, played and written ever since. If Ad Noiseam was a human being, she or he would be hitting puberty, so watch out for some changes in the future.
The BhanaBlog has published a new and interesting interview with Gore Tech, in which this musician answers questions about his background, aims and music production. It's rather extensive (at least compared to other sources available at the moment), and the article describes well this producer's music.
Update April 21st: sorry, due to technical difficulties, this broadcast is audio only. On the other hand, it's live now and very intense.
Fausten's eponymous debut album is coming out next Monday on 12", CD and digital files (info here / pre-orders there). To celebrate, a two-hour audio podcast will be broadcasted live this Sunday (right before this album becomes available) straight from the Fausten HQ in London. Featuring tracks from the album, of course, as well as more material from Fausten and its two members (Monster X and Stormfield) and live VJ-ing, it should be the perfect occasion for everybody to get to know this act better.
The interview itself starts at the 2:18 mark (after an intro whose music has little to do with Niveau Zero). We learn there a bit about this musician's concerts in Germany, the "Jasmine" album (including the dreaded "why this title?" question) and his composition process.