Second album (and first on N5md) for the American solo project Dalot, which somewhat fits well with N5md's new era's shoegazer sound, but brings something new to the table. Rather than super long washed out drony guitars, Dalot use post-rock-minded riffs with a lot more edges, and makes use of other acoustic instruments (such as the accordion at times) in a much more prominent way. It's still very melancholic, but doesn't overdo the "emo" thing, and turns out to be quite a success.