After a long pause, probably due to the demise of Sublight, Wisp's third album finally sees the light of the day on the prestigious Rephlex. Things haven't changed much, and Reid Dunn's new full length CD fits like a glove on this label, with its very playful IDM trickery, its post d'n'b breaks and its super hectic bleeps and blips. The album gets a bit more melancholic and straightforward towards its end, with long pads that balance the earlier electronic beats. All in all a good follow-up to Wisp's earlier efforts, and something which should gather the same kind of response.